Final master before you ship
Take a mix you are happy with and bring it up to release loudness without crushing the dynamics. Reference a track in the same lane and let the master settle the tonal balance for you.
Drop in a rough mix and a track you want it to sound like. Get back a master that lands near the reference’s loudness and tonal balance, ready to hit streaming targets and export as lossless WAV. No plugin chain, no card.
Free tier · 30 credits / month · Lossless 24-bit WAV export.
Drop a rough mixdown onto the canvas. Leave a little headroom and skip the limiter on your master bus — the cleaner the input, the more room there is to shape it. A stereo bounce is all it needs.
Point at a commercial track whose sound you want to land near, or pick a streaming loudness target instead. The reference sets the loudness and tonal balance the master aims for. No reference handy? A platform target works on its own.
Run the master and compare it against your source. When the loudness and balance sit where you want them, export a lossless 24-bit WAV. The same file flows back onto the canvas next to your stems and generated tracks.
Take a mix you are happy with and bring it up to release loudness without crushing the dynamics. Reference a track in the same lane and let the master settle the tonal balance for you.
Mixes that were tracked in different rooms on different days rarely agree on tone. Master each one against the same reference so the record reads as a single body of work, top to bottom.
Platforms normalize loudness, so a track that is too hot just gets turned down — and loses punch. Master to the streaming target up front so your song lands the way you intended on the listener’s feed.
A mix that sounds thin or sits too low next to other songs can be brought forward. Match it to a reference with the energy you were after and recover presence the original bounce was missing.
Listeners notice when track three is suddenly quieter than track two. Master the whole EP against a shared reference so loudness and tone stay consistent from the first song to the last.
Sending a work-in-progress to a collaborator or a label? A fast reference master makes a rough idea sound finished enough to judge, without booking time you do not have yet.
Instead of stamping a fixed curve on every song, the master listens to a reference and moves your mix toward its loudness and spectral balance. Each track gets shaped on its own terms.
Aim straight at platform loudness instead of guessing. Master to the target your release lives on so the song arrives at full impact rather than getting normalized down after upload.
Every master exports as 24-bit WAV. No lossy re-encode sneaks in between your bounce and your delivery, so what you approve is exactly what you hand to a distributor or a client.
Mastering sits on the same canvas as generation, stem split, and voice conversion. Generate a track, split it, swap a vocal, then master the result without exporting to a second app in between.
There is nothing to install, license, or wire up in a particular order. You skip the EQ-comp-limiter stack and the hours of trial and error, and still land near a sound you can point to.
You pay for the masters you run, not a monthly seat that bills whether you use it or not. The free tier ships with enough credits to master a track and export it before you ever enter a card.
Pick a commercial release that already sounds the way you want your song to sit — similar genre, energy, and arrangement density. A clean, well-mastered track gives the master a clear target for loudness and tonal balance. Avoid heavily distorted or lo-fi references unless that is genuinely the sound you are chasing.
No. If you do not have a reference in mind, you can master to a streaming loudness target instead and let the platform standard guide the result. A reference gives you tighter control over tone, but it is optional — the loudness target alone is enough to get a finished, release-ready master.
You can master toward the loudness levels that streaming platforms normalize to, so your track lands at full impact instead of being turned down after upload. Matching a reference also pulls the master toward that reference’s perceived loudness. The goal is a competitive, consistent level rather than the loudest possible file.
Upload your mix as MP3, WAV, FLAC, or M4A. Masters export as lossless 24-bit WAV, the same format used across converted vocals, stems, and mixdowns on the canvas. There is no separate file pipeline and no lossy step between your bounce and your delivery.
Yes. Commercial use is allowed on paid plans, so masters you make can go straight to a distributor, a sync placement, or a client deliverable. You own the audio you export. The free tier is for trying the workflow before you commit to a release.
A maximizer just pushes everything louder until it clips or pumps, with no sense of what the song should sound like. Reference mastering moves your track toward a real target — the loudness and tonal balance of a reference or a streaming standard — so it gets louder where it should and stays balanced everywhere else. The result is a master, not just a hotter file.
30 free credits. No card. Match a reference, hit your loudness target, export lossless.